Rationalism continued in Bermeo with exceptional works by Fernando Arzadun, Pedro Ispizua and Emilio Apraiz. The guilt is a very important work for Bermeo because it articulates its maritime facade in a brilliant way. The architect Arzadun correctly applied the rationalism of post-war construction, unrefined because of its late state. The aspects to emphasize are: a bare volume without ornaments, painted in white, rows of continuous hollows and round tube bars.
